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<title>Faculty of Agriculture</title>
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<dc:date>2026-09-02T17:14:03Z</dc:date>
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<title>Integrated Payroll and Peronnel Information System (IPPIS) in Nigeria.</title>
<link>http://repository.unn.edu.ng/handle/123456789/9713</link>
<description>Integrated Payroll and Peronnel Information System (IPPIS) in Nigeria.
aka, boy; Moru, Zainab
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<dc:date>2020-08-03T00:00:00Z</dc:date>
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<title>Mirror Symmetry as Resource for Sculpture Exploration</title>
<link>http://repository.unn.edu.ng/handle/123456789/9710</link>
<description>Mirror Symmetry as Resource for Sculpture Exploration
Ofanson, Felix Otaigbe; Ofanson, Felix Otaigbe
Mirror reflects different individual and communal experiences. This reflection captures both negative and positive aspects of social, political and cultural vibes that either help in shaping and reshaping the society, or in destabilizing and disintegrating the cultural structure of the society. The divergences and convergences of beliefs, culture, politics, religious and social ideals are therefore captured through different behaviour exhibited by individuals. The artist therefore relies on the societal reflections as a window into what the society imports and gives out at the same time. This project report, mirror symmetry is conceptually explored through the appropriation of varied art media in order to make commentaries on how family, communal and social influences determine the type of value judgment a society holds. Works produced followed studio processes where sketching, cutting, slicing, tying and binding were used to produce three dimensional art forms (both in relief and in the round) that have both conceptual and formalistic aesthetics
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<dc:date>2019-08-01T00:00:00Z</dc:date>
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<title>Mirror Symmetry as Resource for Sculpture Exploration</title>
<link>http://repository.unn.edu.ng/handle/123456789/9709</link>
<description>Mirror Symmetry as Resource for Sculpture Exploration
Ofanson, Felix Otaigbe; Mwolchet, Luka Muneru
Mirror reflects different individual and communal experiences. This reflection captures both negative and positive aspects of social, political and cultural vibes that either help in shaping and reshaping the society, or in destabilizing and disintegrating the cultural structure of the society. The divergences and convergences of beliefs, culture, politics, religious and social ideals are therefore captured through different behaviour exhibited by individuals. The artist therefore relies on the societal reflections as a window into what the society imports and gives out at the same time. This project report, mirror symmetry is conceptually explored through the appropriation of varied art media in order to make commentaries on how family, communal and social influences determine the type of value judgment a society holds. Works produced followed studio processes where sketching, cutting, slicing, tying and binding were used to produce three dimensional art forms (both in relief and in the round) that have both conceptual and formalistic aesthetics
</description>
<dc:date>2019-08-01T00:00:00Z</dc:date>
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<title>Maize as an Inspiration for Sculpture</title>
<link>http://repository.unn.edu.ng/handle/123456789/9708</link>
<description>Maize as an Inspiration for Sculpture
Mwolchet, Luka Muneru
Maize offers itself for a variety of food when processed. As a raw material for production of dairy food. Maize has become a household name in almost every home and manufacturing outlets that rely on maize as their basic raw material. Which has made it to be seen as a crop, and as a result, it is rarely used as a sculpture medium. This project objectively explored maize as an adaptive material for sculpture. The idea behind the choice of maize as a sculpture source, is to enable the artist interrogate 9 its basic characteristics and its manifestations in different creative forms. In so doing, the sculptor interrogates the characteristics of maize as an idea for sculpture production. The artist is able to use maize eloquently to express social events which is a reflection of life in his immediate environment. The research followed a studio experiment which involved series of studio processes cutting, joining and tying. The results produced art works that make commentaries on the social and community life of the people.
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<dc:date>2019-12-01T00:00:00Z</dc:date>
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